Now that LED screens can move with the camera's eye, virtual sets can solve a bunch of green screen problems. The biggest one probably being lighting. Richard Bluff: We've all seen movies ...

The GQ editor-turned filmmaker’s new A24 movie is a warning against tribalism and cults of personality, and was made with such modest means that he felt the need to lead by example: “Every time we ...

[Fred Emmott] had about 30 inches behind his desk to work with, and shares what it took to make a green screen work reliably ... it can be more easily set up and torn down with minimal fiddling.