Jonathan Majors is an actor. His latest film is Magazine Dreams. He sat down with me to talk about the work. Back To One can ...

A few days before Facing War opened this year’s CPH:DOX, Filmmaker reached out to the Norwegian director (who co-produced the ...

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“Certain phrases fascinate me with their subtle implications, even though I may not altogether understand their meaning.” – ...

There are a few things in Ash where the thought was, “Well, people are going to want to know it’s my movie, that it’s still ...

When Steven Soderbergh was 13 years old, his father enrolled him in an animation class taught by Louisiana State University ...

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On an unassuming downtown block, the Los Angeles Unified School District (L.A.U.S.D.)’s Musical Instrument Repair has excelled for many years. A big fuss is never made by tireless employees (former ...

Slaughterhouses of Modernity, the latest film by Heinz Emigholz, has arrived in New York. The filmmaker refers to it in passing as a work of propaganda, which means, he reminds me, that it is a film ...

Rashad Frett arrives at Sundance with his debut feature, Ricky, following work as a combat medic, a stint in business school, and directing an independent TV pilot he called “a Connecticut version of ...

Though Debra Granik is no stranger to Sundance — 2004’s Down to the Bone, 2018’s Leave No Trace and 2010’s Oscar-nominated (in four categories) Winter’s Bone all premiered in Park City — I was a bit ...

Earlier this year, REI, the Seattle-based specialty outdoor retailer, announced the launch of REI Co-Op Studios, a content division that is already producing short films, features, podcasts and a ...