Kiyan Williams’s sculpture of the trans activist Marsha P. Johnson standing “as a witness” is a self-indulgent piece that says nothing about America on the precipice. Ser Serpas’s lobby ...
On "The Painted Protest" and the likely end of the "radlib" era of culture. Kiyan Williams, Ruins of Empire II or The Earth Swallows the Master's House (2024) in the 2024 Whitney Biennial.