To even be one of the semi-big names takes years of experience, years of people getting to know you, and a splash of knowing the right people and being around the best opportunities. For people to ...
When I started running the Raindance Film Festival in 1992, I had no formal training in reading or how to analyse screenplays. Over the next decade, I read and critiqued more than 2,500 scripts, ...
AI in the film industry is a peculiar tool. On one hand, it loosens the studios’ stranglehold on creatives; on the other, it’s a Pandora’s box that could easily corrupt an entire industry. My name is ...