In this episode, photographer Tyler Mitchell welcomes us into his studio and shows us the transformative power of images. From early skateboarding films to capturing Vogue covers with Beyoncé, ...
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...
The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...
GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...
MoMA has so much on display, across so many galleries and floors, that it can be hard to know where to begin. Whether you’re visiting with kids, you only have an hour, or you’ve been before and are ...
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MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina ...
Immerse yourself in ideas and see your world in new ways through art. In MoMA’s free Massive Open Online Courses (MOOCs) on Coursera, you will hear directly from artists and designers, look closely at ...
Narrator: Edward James, a British poet and patron of Surrealism, commissioned Magritte to make this portrait in 1937, titled Not to be Reproduced. Curator, Art Institute of Chicago, Stephanie ...