If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional ...
MARINA ABRAMOVIĆ: When the war start in Bosnia, it was so difficult time for me. I was not there. I was living since long time outside of the country. And I remember so many artists immediately react ...
Wayne Thiebaud has been in seven exhibitions at MoMA, between 1962 and 1988.
Curator, Deborah Wye: This work is titled Femme Maison. And that meant to Louise Bourgeois either “woman house” or “house woman” in French. She was a native of France and always went back and forth ...
Narrator: Here Magritte depicts himself in the act of painting. He looks at an egg but conjures a bird on the canvas. Curator, Anne Umland: Magritte, from 1932 on, had set out to apply a new method of ...
Immerse yourself in ideas and see your world in new ways through art. In MoMA’s free Massive Open Online Courses (MOOCs) on Coursera, you will hear directly from artists and designers, look closely at ...
MoMA is proud to thank its major partners, whose generosity and dedication to our mission make possible so many important programs at both the Museum and MoMA PS1. We’ve been thrilled to work with ...
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...
One morning in the summer of 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they set out to a favorite pool in Cannes. Suffering under the ...
Francesca: Broodthaers exhibited Décor: A Conquest by Marcel Broodthaers at the Institute of Contemporary Arts, London, in 1975. It’s two rooms —one devoted to the 19th century and the other to the ...